Rockin' Around the Plot Clock
I just spent an amazing weekend with a dozen other writers, holed up in a house in Mount Dora, Florida. We dedicated 48+ hours of workshop time to thinking about plot.
I did a pretty good job plotting my first novel by the seat of my pants (I went back in revision and created a detailed step sheet), but I never really felt like I "got" plot. No matter how many craft books I read on the subject, how to structure a novel for maximum impact (and I mean, I wanted it to kill) just wasn't gelling for me.
After this weekend, consider me gelled. I get how the plot points fit together now, and how they ought to resonate off each other. I merely had to spend some time with Joyce Sweeney and Jamie Morris's brilliantly simple Plot Clock. The Plot Clock features in most of the Sweeney/Morris Next Level Weekend Craft Intensives, and I can't recommend these workshops too highly).
|Sweeney and Morris:|
One was the recognition of my personal, emotional connection to the concept question we students wrote for our WIPs.
Your concept, as Sweeney and Morris see it, is best phrased as a universal question. If all goes well, your main character will answer it. The concept questions we came up with from picture books sounded something like this:
"If I am different from what my parents expect of me, will they still love me?" (The Little Matador).
"How do you go about getting something that seems impossible?" (Tia Isa Wants a Car).
The best thing you can do for yourself as a writer--or do for your work--is to forge an unbreakable connection between your deepest self and your concept question. It should be a question you burn to answer. That passion will translate to your protagonist.
Once I understood the grip my concept question had on me, the way I could look down into it and see myself mirrored there, I knew the novel I'd started writing this month was going to fly.
So think about this: Have you written a concept question for your novel? And if so, how true and deep is your connection to it?